

So, I sent out the instrumental to a few singer/songwriters. “After that, the whole song was pretty much standing, but I felt like it needed a proper vocal. “From there I actually started doing the sound design and coming up with the main melody which was flowing freely between the drums to create this lazy kind of groove,” he said. From there I started figuring out what kind of textures I would want in the track since I always try to picture certain textures in my head and then translate them into sound.” I wanted to make a down-tempo track, yet keeping high energy levels throughout the track. That way I always push myself to be super unique and creative, instead of copying the same formula. I almost always start my songs from scratch. Regarding his track “Sundown,” he said, “It started out like any other track I make. It’s also amazing that I gain a lot of exposure because of the label and I’m very thankful for that.” They give me all the freedom to make whatever kind of tracks I like. Especially because they all fully support me on a creative level, even though you wouldn’t think of my music when you think about STMPD RCRDS. On being signed to Martin Garrix’s STMPD RCRDS, Eauxmar said, “It feels pretty cool to be signed to Garrix’s label.
